Showing posts with label Big Rock Candy Mountain. Show all posts
Showing posts with label Big Rock Candy Mountain. Show all posts

Friday, December 1, 2017

Reading the Signs






This body of work is currently on view at the Bennington Free Library  as part of the Wall works program, till Jan 2018

This show features a combination of prints and paintings that present  messages that seem direct and others that are are warnings if you only know where to look for them.

The Canary Warnings are a series of paintings inspired by the practice of keeping a canary in a coal mine as an early warning system for miners. When the bird dies the air will soon be too toxic for humans as well. The canary serves a kind of guardian, like a life force monitor. This series considers a myriad of possibilities about the ways in which one could be warned of tragedies or other dangerous situations.  

Saturday, August 19, 2017

MILK and HONEY


Honey Hex, Intoxicate 2017

When I first thought about this show I wanted it to celebrate the magnificent abundance that is Vermont in the summertime, a sweet land of plenty. Fortunately or not, things are never simple.
My series of Honey Hexes are similar to Pennsylvania Dutch hex paintings in that these are made to welcome good luck and good fortune.The Honey Hexes, are talismans meant to foster sweetness, harmony, abundance and fertility and vision through altered consciousness. The designs that I have painted incorporate a honeycomb format that frames the icons within. Symbols such as cornucopias, and similar mead horns, udders, beehives and symbolic flowers and of course, bees adorn this ongoing series. As it has become profoundly clear that the majority of life on the planet depends on some of the tiniest pollinators these hexes attempt to pay tribute where it is due.







In a similar vein the series of Botanical heads symbolize rebirth and regeneration and abundance.They are inspired by “green men” variations of folate heads that have adorned architecture and gravestones across cultures. My botanical heads range from Foliate style head that which is completely covered in leaves, to the Disgorging Head which spews vegetation from its mouth, as well as the Bloodsucker Head which sprouts vegetation from all orifices (Facial) such as the eyes nostrils and mouth. In addition my botanical heads  are multi faceted images that when rotated 180 degrees reveal a new “face.”  The heads represent animals, plants and male and female “gods.”



Canary warning #3

There are always signs and warnings...if you are listening. Speaking of warnings, the Warning (canary) is part of an ongoing series of guardians. The “See Wheat (sweet)” depicts cornucopia eyes with wheat... endless sweetness.This was inspired in part by Amy’s vintage blue Pyrex Bowl.  Not a sickly sweet but, a sweet like a sunny Vermont summer day. “Milk Made,” a little Vermont Dairy truth in advertising... connecting milk to where it comes from.
The Hobo Hankies, created as part of the series, Mythos Merch. These hankies incorporate some hobo symbols (jail, Safe water, Danger) and commemorate some of my favorite attractions/characters from Big Rock Candy Mountain. I love a good story and the tale of Big Rock Candy Mountain is just that, a fictional land of Milk and Honey, with its straight up tourist trap hucksterism and charm and when you have a moment look up the last verse of Big Rock Candy Mountain!



“The most beautiful things in the world cannot be seen or touched, they are felt with the heart.”
“One sees clearly only with the heart. The essential is invisible to the eye."  Antoine de Saint-Exupéry these are Lessons from The Little Prince, The Rose and the Fox, which speak for themselves. To me these speak to bittersweet experience of opening oneself to friendship and love and the ways in which the senses can be fooled.


Currently on view at the the South Street Cafe in Bennington, Vermont.

Thursday, February 4, 2016

Hankies


Cops and Whiskey Lake Screenprint on cotton. Mythos Merch 2016 Rhonda Ratray

Big Rock Candy Mountain by Harry McClintock

One evening as the sun went down
And the jungle fires were burning,
Down the track came a hobo hiking,
And he said, "Boys, I'm not turning;
I'm headed for a land that's far away
Beside the crystal fountains
So come with me, we'll go and see
The Big Rock Candy Mountains.
In the Big Rock Candy Mountains,
There's a land that's fair and bright,
Where the handouts grow on bushes
And you sleep out every night.
Where the boxcars all are empty
And the sun shines every day
On the birds and the bees
And the cigarette trees
The lemonade springs
Where the bluebird sings
In the Big Rock Candy Mountains.
In the Big Rock Candy Mountains
All the cops have wooden legs
And the bulldogs all have rubber teeth
And the hens lay soft-boiled eggs
The farmers' trees are full of fruit
And the barns are full of hay
Oh I'm bound to go
Where there ain't no snow
Where the rain don't fall
The winds don't blow
In the Big Rock Candy Mountains.
In the Big Rock Candy Mountains
You never change your socks
And the little streams of alcohol
Come trickling down the rocks
The brakemen have to tip their hats
And the railway bulls are blind
There's a lake of stew
And of whiskey too
You can paddle all around them
In a big canoe
In the Big Rock Candy Mountains.
In the Big Rock Candy Mountains,
The jails are made of tin.
And you can walk right out again,
As soon as you are in.
There ain't no short-handled shovels,
No axes, saws nor picks,
I'm bound to stay
Where you sleep all day,
Where they hung the jerk
That invented work
In the Big Rock Candy Mountains ...
I'll see you all this coming fall
In the Big Rock Candy Mountains.

Big Rock Candy Mountain, was first recorded by Harry McClintock in 1928, and appears to be a modern version of the medieval concept of Cockaigne. Cockaigne or Cockayne /kɒˈkeɪn/ is a land of plenty, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always at hand and where the harshness of peasant life does not exist. In Specimens of Early English Poets (1790)
George Ellis printed a 13th-century French poem called "The Land of Cockaigne" where "The houses were made of barley sugar and cakes, the streets were paved with pastry, and the shops supplied goods for nothing.”  Pieter Bruegel the Elder’s painting "Luilekkerland" (The Land of Cockaigne), 1567. Literally translated as, ”relaxed luscious, delicious land” pictures sleepy revelers lounging in abundance. The Brothers Grimm translated a similar fairy tale, Schlaraffenland  “The Land of milk and honey.” This story also describes a land of extreme abundance, as well as a land of opposites, where the weakest and meekest are the strongest.
What could be better for a person, than to have all their needs met? Is it the lap of luxury to live in a place where no one has to "work" for money with plenty of clean water, food, and ample alcohol?  Another kind of luxury, where the police are not a threat, where traveling is easy and sleeping under the stars every night is always warm and comfortable… That sounds like utopia. The land of milk and honey… Big Rock Candy Mountain is a Neverland.
 What is the message beyond reveling in the fantasy of a decadent Willy Wonka world, a place so opposite of the one we inhabit? Is it to imagine a world of pure wish fulfillment? A true escapist fantasy: escaping the human condition?  Is it in recognizing the actual abundance in nature?  Is it found the cliché’ “If something sounds too good to be true…it probably is.”  Does the song make a mark of you? In the tradition of Fairy tales, does it serve to be a warning for children, for teenagers and dreamers?  
The lesser known last verse reveals the cautionary nature of the song. Originally the song described a child being recruited into hobo life by tales of the "Big Rock Candy Mountain." McClintock sanitized the song considerably from the version he sang as a street busker in the 1890s.  When he appeared in court as part of a copyright dispute, he cited the original words of the song, the last stanza of which was:
The punk rolled up his big blue eyes
And said to the jocker, "Sandy,
I've hiked and hiked and wandered too,
But I ain't seen any candy.
I've hiked and hiked till my feet are sore
And I'll be damned if I hike any more
To be buggered sore like a hobo's whore
In the Big Rock Candy Mountains."
                                                                                                              
I created these pieces as part of the series, Mythos Merch These hankies incorporate some hobo symbols and commemorate some of my favorite attractions from Big Rock Candy Mountain. I love a good story and the tale of Big Rock Candy Mountain is just that, with its straight up tourist trap hucksterism and charm. I actually didn’t know about the final stanza until I began researching the song and I had been strictly thinking of BRCM as a vision of paradise. Anyway, this song always had a special place in my heart and I always like walking along railroad tracks. Please enjoy these hobo hankies from bum paradise.

 You can see more on my website: http://ratray.com/recent-work.html 

These will be on view at the Distillery in south Boston as part of the show "wish you were there."